43 continuous takes · 21:9 · 1080p · Higgsfield Seedance 2.5 · 2026-08-26 · NOTHING RENDERED YET — approve this board first
Why: the film has 8.15 min of unique picture under 16.24 min of narration. That is the loop. This pack adds ~8 min of new picture — every take a different world, a different camera, a different thing Bridge does.
Cost ≈ 4,250 credits at 1080p (+ ~1,000 reroll reserve) out of 9,010. Enhancor top-up NOT needed. Render order: T39 alone first (the Roosevelt/Wallace beat that replaces the cutout you called tacky), then the hook, then by section.
| ID | Section | s | World | Bridge action | Camera | Lettering / plate |
|---|---|---|---|---|---|---|
| T1 | hook 0–1 | 12 | THE MINT FLOOR — paper coin-press, a river of blank discs | walks the line, lifts ONE finished coin to the lens, turns it face→eagle | low lateral track → punch to the coin | plate coin-2026 · card "JULY 2026" |
| T2 | hook 1 | 10 | THE STATUTE — a wall of paper law pages | runs a finger down a page, stops on the line, taps it twice | high overhead crane down to the finger | plate law-page |
| T3 | hook 3–4 | 12 | THE LEGISLATURE — paper benches, empty | stands in the well, sets the law page on a lectern, steps back | slow orbit 90° | plate law-page · card "WHOSE FACE" |
| T4 | hook 7 | 12 | THE VAULT OF BORING OBJECTS — ruler, thermometer, scales, a $1 note, all on plinths | walks the row, picks up the note, the others stay | dolly along plinths → hold on the note | real $1 · card "A UNIT. A MEASURE." |
| T5 | hook 8 | 10 | THE BELIEVING HANDS — 30 paper hands rising from the stage each holding a note | walks between them; they all turn to face him | low steadicam-style walk, cant 8° | real $1 notes · card "THE PART THAT BELIEVES" |
| T6 | hook 11 | 12 | THE SPLIT STAGE — courtroom bench left, printing press right | walks the seam between them, one hand on each | wide 84° dolly-in on the seam | card "FEBRUARY 1935" + card "153 YEARS" |
| T7 | hook 14 | 12 | THE TEMPLE — stepped paper ziggurat, one shekel | climbs two steps, places the shekel on the altar | crane up as he climbs | plate shekel-temple · card "A RECEIPT FOR GRAIN" |
| T8 | hook 15 | 12 | THE LOCKED ROOM — one gold plate on a stand, a paper head shape on it, a door | opens the door, crosses to the plate, lifts the head's shadow-cutout, it shrinks in his hand into a note | push through the doorway | real $1 note |
| T9 | hook 17 | 10 | THE LANGUAGE — Latin letters falling like leaves | stands still as letters fall, catches one, reads it, drops it | overhead 107° looking straight down | letters ANNUIT / NOVUS only |
| T10 | part1 1 | 12 | THE DRAFTING ROOM — five portrait cutouts on easels, a long paper table | walks behind the easels, turns each one to face front | lateral track behind the easels | plate five-men-row · card "1776–1782" |
| T11 | part1 2 | 12 | THE FRONT — Great Seal obverse three storeys tall, a paper eagle | walks under the eagle's wing, sets his palm on the shield | low 107° tilt up | plate seal-obverse |
| T12 | part1 3 | 10 | THE BACK — reverse seal, dark, one shaft of key | drags the seal around on a turntable to show its back | orbit with the turntable | plate great-seal-reverse |
| T13 | part1 4–5 | 12 | THE DIE ROOM — one uncut steel die on a bench, a drawer | picks up the die, weighs it, puts it in the drawer, shuts it | tabletop 12° macro → pull back | plate die-uncut · card "NEVER CUT" |
| T14 | part1 5 | 10 | THE LIBRARY — one book, a reading lamp | opens the book, turns one page, closes it, looks up | slow push 47° | plate hall-book · card "TOO SECRET" |
| T15 | part1 7–8 | 10 | THE POCKET — a giant paper trouser pocket, a note sliding in | walks the note to the pocket edge and pushes it in with two fingers | crash zoom on the pocket | real $1 note · card "EVERY POCKET" |
| T16 | part2 1 | 10 | THE STONES — the pyramid's blocks scattered on the floor | stacks three, steps back, leaves the top empty | high 3/4 crane back | plate great-seal-reverse |
| T17 | part2 3 | 10 | THE PLEA — a paper Jupiter head, a kneeling paper man | walks past the kneeling figure and stands it upright | lateral 63° | card "A PLEA" |
| T18 | part2 5 | 10 | THE STATEMENT — the phrase as a stone lintel above a door | walks under the lintel, out the other side | push through the door | card "HE FAVOURS OUR UNDERTAKING." |
| T19 | part2 6–7 | 12 | THE BIGGER-THAN-A-COUNTRY — a paper globe, the pyramid taller than it | walks around the globe and stands it beside the pyramid | orbit 84° | card "NOT A GOVERNMENT" |
| T20 | part2 9 | 12 | THE COUNT — thirteen paper stars falling into a row | catches the thirteenth star | overhead → eye level | plate seven-13-row |
| T21 | part2 11 | 12 | THE LODGE TEXT — a thick paper book open on a stand, pages blank | turns pages, faster and faster; finds nothing; shuts it | tabletop push → snap to face | card "IT IS NOT THERE" |
| T22 | part2 14–15 | 12 | THE FIELD — paper wheat stalks waist high, a green note among them | wades through, plucks the note, holds it up | tracking through the stalks | real $1 · card "GROWTH" |
| T23 | part2 17 | 10 | THE DRAWER OPEN — a filing drawer, the seal drawing inside | pulls the drawer, lifts the drawing, holds it to the key | low angle from inside the drawer | plate great-seal-reverse · card "153 YEARS" |
| T24 | part3 1 | 10 | THE CLAIM WINDOW — a teller window, a bar of gold behind bars | slides a note under the bars, the gold slides back | 47° locked-height push | real $1 · plate gold-bar-stack |
| T25 | part3 4 | 10 | THE LIMIT — a paper printing press with a chain to a gold bar | pulls the chain taut, the press stops | wide → hands | plate gold-bar-stack · card "THE LIMIT" |
| T26 | part3 6 | 12 | THE ORDER — the EO as a poster on a paper wall, people-cutouts queueing | walks the queue; pins the order to the wall | lateral track along the queue | plate eo6102 · card 20.67 |
| T27 | part3 7 | 10 | THE REVALUE — a gold bar on a scale, the counterweight card changes | swaps the "20.67" card for the "35" card on the scale pan | tabletop macro | cards 20.67 → 35 |
| T28 | part3 9 | 10 | THE FORTY-ONE — a note that tears itself to 59% in his hands | holds the note flat; a strip tears away and falls | 29° tight on hands → face | real $1 · card "−41%" |
| T29 | part3 10 | 10 | THE TRANSFER — gold bars sliding one way, notes the other, on two conveyors | stands between the belts, a hand over each | overhead 84° | plate gold-bar-stack · real $1 |
| T30 | part3 13 | 12 | THE THINNING — a paper vault, bars being removed one at a time until one is left | takes the last bar out himself | slow push into the emptying vault | card "1971" |
| T31 | part4 1 | 12 | THE BUILDING — the Fed façade, paper, a door that opens onto blank notes | opens the door; notes pour out past his knees | low dolly-in on the door | plate fed-building · card "1913" |
| T32 | part4 2 | 8 | THE CUT — a paper rope from a note to a gold bar; scissors | cuts the rope | 12° macro on the cut | card "1933" |
| T33 | part4 3 | 12 | THE INSTALL — a giant reverse seal being lowered onto a giant note back | guides the seal down with both hands | crane down with the seal | plate dollar-reverse · card "1935" |
| T34 | part4 4 | 10 | THE FACE OF THE NOTE — a giant $1 front, the "silver" promise line lit | traces the promise line with a finger | lateral track along the line | real $1 front · card "THE WORD OF AN INSTITUTION" |
| T35 | part4 5 | 12 | THE COLD WAR — a paper map, two halves, a note bridging them | lays the note across the gap | overhead → tilt to face | real $1 · card "1957" |
| T36 | part4 7 | 8 | THE WINDOW SHUT — a paper bank window, shutter coming down | pulls the shutter down himself | 47° push | card "1971" |
| T37 | part4 11–12 | 12 | THE CRUTCH — a gold bar as a crutch under a paper figure; he pulls it away; the figure stands anyway on a paper seal | pulls the crutch, sets the seal under the figure | orbit 63° | card "A CRUTCH" |
| T38 | part4 12 | 10 | NOT METAL, A SYMBOL — a gold bar and a seal on two plinths; the bar's plinth sinks | watches the bar sink, walks to the seal | slow 29° pull-back | card "NOT METAL. A SYMBOL." |
| T39 | part4 13 | 12 | THE PROPOSAL — Roosevelt + Wallace engraved cutouts at a desk, the drawing between them | slides the drawing across the desk to them | slow push over his shoulder | plate roosevelt-wallace · card "1934" |
| T40 | part4 15 | 10 | THE EXIT — the drawer and a door, gold bars walking out the door as paper feet, the drawing coming out of the drawer | lifts the drawing as the bars leave | split composition, slow push | plate drawer |
| T41 | close 3 | 12 | THE LIFETIME — a note passed hand to hand along a line of 20 paper figures, none looking at it | walks the line behind them; the last hand gives it to him; he looks | lateral 63° | real $1 |
| T42 | close 6 | 14 | THE THREE — the gambler, the devil, the god as cutouts stepping forward one by one | stands centre; each steps forward as he turns to it | slow 84° push | plate three-figures |
| T43 | close 7 | 10 | THE EYE WATCHES — the paper eye alone, huge, the pyramid gap below it | walks up to the gap, looks up into the eye | tilt up from the gap to the eye | plate great-seal-reverse |
| Plate | Used by | Content |
|---|---|---|
| _ref-coin-2026.png | T1 | US one-dollar coin, obverse blank-faced silhouette profile (no likeness), reverse = real eagle; paper-theater cutout on black |
| _ref-law-page.png | T2 T3 | one torn page of an Act, engraved-style print, ONE legible line "NO PORTRAIT OF ANY LIVING PERSON", rest of text soft |
| _ref-shekel-temple.png | T7 | a single ancient silver shekel cutout + a stepped temple silhouette, gold-duotone |
| _ref-five-men-row.png | T10 | five engraved-portrait cutouts in a row, gold-duotone halftone, NO names printed (Franklin/Jefferson/Barton/Thomson/du Simitière likenesses) |
| _ref-seal-obverse.png | T11 | Great Seal FRONT, eagle/shield/arrows/olive, paper cutout on black |
| _ref-die-uncut.png | T13 | a blank steel die block, uncut face, on a paper workbench |
| _ref-hall-book.png | T14 | closed book, cloth cover, spine reads "THE SECRET TEACHINGS OF ALL AGES" |
| _ref-dollar-reverse-igwt.png | T20 T22 T33 | EXISTS |
| _ref-great-seal-reverse.png | T17 T18 T19 | EXISTS |
| _ref-seven-13-row.png | T21 | EXISTS |
| _ref-card-1913.png` … `_ref-card-1971.png | T31–T36 | EXIST |
| _ref-card-2067.png | T26 | torn card "$20.67 / oz" gold serif |
| _ref-card-35.png | T27 | torn card "$35 / oz" gold serif |
| _ref-card-41.png | T28 | torn card "−41%" gold serif |
| _ref-eo6102.png | T25 | the Executive Order as a paper document, header legible "EXECUTIVE ORDER 6102", body soft |
| _ref-gold-bar-stack.png | T24 T29 | real gold bars, stacked, paper-theater cut |
| _ref-nine-columns.png | T30 | EXISTS |
| _ref-greider-page.png | T30b | a book page with ONE legible line "EACH ONE MUST BELIEVE, AND EVERYONE MUST BELIEVE." |
| _ref-fed-building.png | T31 | Federal Reserve Eccles Building front elevation, paper cutout |
| _ref-roosevelt-wallace.png | T39 | two engraved cutouts (Roosevelt, Wallace) gold-duotone, NO names — replaces the rejected post cutout beat |
| _ref-drawer.png | T40 | a wooden archive drawer, open, paper edge showing |
| _ref-three-figures.png | T43 | three silhouette cutouts: a gambler w/ cards, a horned devil w/ a quill, a bearded god over two clasped hands |
Source: /root/sunmoon/episodes/roosevelt-paper-storm-test/PACK-FOUR.md