T1 — "THE MINT FLOOR" (12s) — hook seg0–1. @image3 = `_ref-coin-2026.png`
PASS — belt, press, coin lift, JULY 2026 card. Coin shows a face on side one (not blank) — reads as the point anyway.
43 of 43 landed · Higgsfield Seedance 2.5 · 21:9 · 1080p · each ~90–125 cr · board · plates
PASS — belt, press, coin lift, JULY 2026 card. Coin shows a face on side one (not blank) — reads as the point anyway.
PASS — overhead crane down to the finger on the gold line, taps, turn to lens. Excellent.
PASS — empty chamber, page laid on the lectern, WHOSE FACE card.
weak — ruler and thermometer fine, but the "kitchen scales" rendered as a strange figurine on a tray. The note lift and A UNIT. A MEASURE. card land. Usable if cut around the third plinth; low-priority reroll.
PASS — field of hands holding real notes, the strip unrolls, eyes to lens.
PASS — the seam, bench + press, FEBRUARY 1935 and 153 YEARS both legible. Strong.
PASS — climbs the ziggurat, sets the shekel before the doorway; the card is small and soft.
PASS — through the door, lifts the head silhouette off the gold plate, it becomes the real $1 in his hands. (Retry after a 503.)
PASS — falling letters, catches the N, overhead ultra-wide.
PASS — easels turn one by one, five busts, 1776–1782 card.
PASS — six-of-him scale under the eagle, palm on the shield.
PASS — hauls the seal round to reveal the reverse, ribbons legible.
PASS — lifts the die, shows the blank face, drawer shut, NEVER CUT card.
PASS — opens, one page, closes, hand on the cover, TOO SECRET card, spine legible.
PASS — giant trousers, note pushed in, EVERY POCKET card, hard look to lens.
PASS — three blocks stacked, top left empty, seal behind.
PASS (v3) — prostrate paper man lifted upright before the laurelled head, A PLEA card correct. Fix that worked: bake the card as a plate; described lettering failed twice.
PASS — HE FAVOURS OUR UNDERTAKING on the lintel, walks through it to chest-up.
PASS — turns the globe beside the pyramid, ribbons legible.
PASS (v2) — seven cards, every one reads 13, stars fall, he catches the thirteenth.
PASS — pages fan faster and faster, shuts it, IT IS NOT THERE card.
PASS — wades the gold wheat, plucks the real $1, holds it up.
PASS — shot from inside the drawer, lifts the seal drawing into the key, 153 YEARS card. Strong.
PASS (v2) — teller window with gold bars as a cage, note slid under, a gold bar slides back into his hand.
PASS — chain hauled taut, press stops, THE LIMIT card.
PASS — queue of hatted cutouts each holding a gold bar, pins EXECUTIVE ORDER 6102 to the wall.
PASS — $20.67/OZ lifted off the pan, $35/OZ set in its place, beam level. Exactly the beat.
PASS — real $1 held flat, tears down to the remainder, −41% card, eyes to lens.
PASS — overhead, gold one way and notes the other under his palms, face tilts up.
PASS — card hands take the bars one by one, he takes the last; the 1971 card isn't visible in the strip.
PASS — door opens, notes flood out, 1913 card. Strong.
PASS — scissors, rope drops slack, 1933 card, eyes to lens.
PASS — the seal lowered into a car-length $1 back, he guides it down, 1935 card. Spectacular.
PASS (v3) — Washington $1 front from the baked plate, finger traces the line, THE WORD OF AN INSTITUTION strip. Fix: bake the note as a plate; described money defaulted to Franklin twice.
PASS — torn map, lays the real $1 across the gap, presses it flat, looks up.
PASS — pulls the shutter down over the bar, 1971 card.
PASS — pulls the gold crutch, figure tilts, seal disc slid under its feet, it stands.
PASS — the gold bar's plinth sinks into the floor, he steps to the seal, NOT METAL. A SYMBOL. card.
PASS — Daniel approved.
PASS — gold bars walk out the door on card feet while the drawing rises from the drawer; Bridge mostly hidden behind the drawing.
PASS — note passes hand to hand down the line into his. (It rendered a $100, not a $1 — still real money.)
PASS — three figures step forward one by one; he holds his back to the lens (the turn is late or absent — fine for the tease).
PASS — walks to the base, tilts up, the eye fills the top of frame. Strong closer.
